The literary landscape of early twentieth-century Hawaii is defined by a unique intersection of travelogue, historical documentation, and evocative narrative. At the center of this narrative stands the work of Don Blanding, an author whose name has become synonymous with the cultural and atmospheric portrayal of the Hawaiian islands during a transformative era. His seminal work, Hula Moons, published by Dodd, Mead & Company in 1930, stands not merely as a book, but as a historical artifact that captures the essence of 1930s Hawaii. For collectors and enthusiasts of American literature and Pacific history, the signed editions of this title represent a tangible connection to a bygone era, offering a window into the life and times of the islands.
The value of these editions extends beyond simple monetary worth; they serve as primary sources for understanding the cultural milieu of Hawaii at the dawn of the modern tourist era. The physical characteristics of the book, the presence of the author's signature, and the specific condition of surviving copies all contribute to their status as prized collectibles. This exploration delves into the bibliographic details, the physical attributes, and the market dynamics surrounding signed copies of Hula Moons, synthesizing data from various auction and rare book listings to construct a comprehensive profile of this literary treasure.
The Bibliographic Identity of the First Edition
The foundational document of this analysis is the first edition of Hula Moons, published in 1930. The original publication details are consistent across multiple authoritative sources. The publisher is universally identified as Dodd, Mead & Company, located in New York. This first printing, dated 1930, is the most sought-after version. The book is described as a "small qto" (small octavo), indicating its physical size, which was a common format for travel literature of the period.
The physical description of the first edition is highly specific and consistent. The binding is characterized by blue cloth stamped in silver. The front cover features silver letting and an illustration, while the interior includes grey pictorial endpapers. A notable feature mentioned in multiple listings is the presence of a color frontispiece, which was often hand-colored or printed in color to enhance the visual appeal of the book. The total page count is documented as xiii, 303 pages. The text is described as a "lightweight text," a term that suggests the book was intended for easy reading, possibly catering to travelers or those interested in Hawaiian culture without the burden of a heavy academic tome.
The significance of the 1930 first edition lies in its role as a "view of 1930 Hawaii by its most well-known author." This phrasing, found in collector descriptions, elevates the book from a simple story to a historical record. Blanding's status as the "most well-known author" of the islands at that time implies that his work was the definitive guide for understanding the social and cultural fabric of Hawaii in the early 20th century. The book serves as a primary source for historians, capturing the transition of Hawaii from a territory to a more integrated part of the American cultural sphere.
The Evolution of Printings and Their Distinctions
While the 1930 first edition is the primary object of desire, subsequent printings exist and carry their own historical weight. The reference data explicitly mentions a "Second printing" and a "First Edition, Seventh Printing (Jan 1938)." The distinction between these editions is crucial for collectors. The seventh printing, dated January 1938, represents a later iteration of the text, likely reflecting updates or reissues that kept the book in circulation for nearly a decade after its initial release.
The existence of a second printing suggests that the book found a receptive audience shortly after its debut. The seventh printing indicates sustained interest well into the late 1930s. For collectors, the distinction between a first printing and a seventh printing is significant, as the former is rarer and typically commands a higher market premium. However, the seventh printing is still considered part of the "first edition" in terms of the text's evolution, provided it is the same textual version as the original 1930 release.
A specific detail noted in the data is the inclusion of a signed hand-written note in some of the seventh printing copies. These notes were often written on the back of an author excerpt flyer, also signed by Blanding. This practice of including a personal inscription adds a layer of intimacy and rarity to the book, transforming it from a standard publication into a personalized artifact. The presence of such a note is a key differentiator for valuation, as it proves direct interaction between the author and the recipient.
The Art of the Author’s Signature and Personalization
The presence of Don Blanding's signature is the defining feature that elevates these books to the realm of rare collectibles. Signatures on Hula Moons are not merely autographs; they are often inscribed with dedications. One listing specifically describes a signature "To Joe," indicating that the book was a gift. This personalization provides a glimpse into the social networks of the author and the recipients of his work.
The manner in which the signature appears varies. In some instances, the signature is found on the front matter, while in others, it is part of a separate hand-written note included with the book. The reference data highlights a specific case where the note was written on the back of an author excerpt flyer, which was also signed. This dual signature (on the book and on the flyer) represents a high degree of authenticity and care, suggesting that Blanding took the time to create a unique, personalized gift rather than a mass-market autograph.
The physical state of the signature itself is a critical factor in determining the value of the book. A signature that is crisp, legible, and free of fading or smudging is preferred. The data mentions "light spotting to page ends" and "shelf wear," which are common in books of this age, but the integrity of the signature is paramount. A signed copy is described as an "excellent, signed copy of this classic Hawaiian history work," emphasizing the dual nature of the object as both a historical document and a piece of literary art.
Physical Condition and Preservation Challenges
The condition of these vintage books varies widely, ranging from "Near Fine" to "Acceptable." The physical integrity of the book is assessed through several specific criteria. The binding, described as "blue cloth with silver letting," is prone to rubbing at the corners. One listing notes a "chip at the base of the spine" in a copy described as "Very Good." Another mentions a "little rubbed at corners" for a "Very Good+" copy. These imperfections are typical for books over 90 years old and must be carefully evaluated to determine the true condition.
The presence or absence of a dust jacket is a significant variable. Multiple listings explicitly state "No dust jacket." In the world of book collecting, the absence of a dust jacket significantly impacts the value, as the jacket often contains the original artwork and publisher's information. A listing for a "First Edition, Seventh Printing" confirms the book has "No dust jacket." Conversely, another listing for a "First Printing, 1930" mentions a "Dust Jacket Condition: Very Good," indicating that copies with the original jacket are exceptionally rare and command a premium price.
The interior condition is also scrutinized. "Light spotting to page ends" is a common form of age-related damage, often caused by moisture or oxidation over decades. "Shelf wear" refers to the friction marks on the spine and corners from being stored on shelves. Despite these flaws, a book can still be graded as "Very Good" or "Excellent" if the text remains readable and the structural integrity is maintained. The description "Book is very good with light spotting to page ends and shelf wear" suggests that while the book shows signs of age, it remains in a state that preserves its value.
Market Dynamics and Valuation Trends
The market for signed Hula Moons is robust, with prices varying based on edition, condition, and the presence of a signature. The data reveals a clear hierarchy of value. A signed first edition from 1930 can fetch prices upwards of $250.00, as seen in the listing for a "Near Fine" copy with a dust jacket. In contrast, a copy without a jacket or with more wear, such as the "Acceptable" condition second printing, is listed for approximately $149.99.
The price spectrum is broad. Listings show prices ranging from $99.00 for a bundle of four books to $275.00 for a pristine, signed first edition. The bundle listing ($99.00) includes Hula Moons along with Drifter's Gold, Vagabond, and Pilot, suggesting that Blanding's works are often collected as a set. This indicates that the author's entire bibliography is of interest to collectors, with Hula Moons serving as the anchor title.
Geographic location of the sellers also influences the market. Sellers are located in various parts of the United States, including Las Vegas, NV; Irmo, SC; Henderson, NV; Sag Harbor, NY; and Pasadena, CA. This geographic dispersion suggests a national market for these items. The shipping costs, ranging from approximately $20.00 to $34.60, reflect the logistical challenges of moving these items, particularly for international buyers. The mention of "eBay International Shipping" indicates that the market extends globally, with import fees estimated for overseas transactions.
The condition grade is the primary driver of price. A "Near Fine" copy with a dust jacket is valued significantly higher than a "Very Good" or "Acceptable" copy. The presence of a signature acts as a multiplier for the value. A signed book is often described as an "excellent, signed copy," implying that the autograph adds a premium that transcends the physical condition of the book. The market recognizes the rarity of a signed first edition, making it a sought-after item for serious collectors of American and Pacific literature.
Comparative Analysis of Available Editions
To better understand the variance in value and condition, the following table synthesizes the data regarding different listings found in the reference material. This comparison highlights how specific attributes influence the market price and desirability of Hula Moons.
| Edition / Printing | Condition | Signature Details | Dust Jacket | Price (USD) | Seller Location |
|---|---|---|---|---|---|
| First Edition (1930) | Near Fine | Small inscription and ownership signature | Very Good | $275.00 | Pasadena, CA |
| First Edition (1930) | Very Good+ | Signed | No Jacket | $60.00 | New York, NY (Golden Hour) |
| Second Printing | Very Good | Signed "To Joe" | No Jacket | $180.00 | Las Vegas, NV |
| First Edition (Seventh Printing, 1938) | Very Good | Signed note on flyer | No Jacket | $149.99 | Irmo, SC |
| Bundle of 4 Blanding Books | Good | Not specified | Not specified | $99.00 | Henderson, NV |
The data reveals a clear correlation between the presence of a dust jacket and the price. The "Near Fine" copy with a "Very Good" jacket commands the highest price at $275.00. In contrast, copies without a jacket, even if "Very Good," are valued lower. The signature adds significant value, but the physical completeness (jacket) is often the deciding factor for top-tier pricing.
Furthermore, the "Seventh Printing" from 1938, while still a first edition in terms of text, is valued lower than the 1930 first printing. This reflects the scarcity principle: the earlier the printing, the higher the value, provided the condition is comparable. The "Second Printing" listing for $180.00 is interesting because it suggests that even non-first printings of signed books hold significant value, though less than the original 1930 release.
The Cultural Significance of Blanding's Work
Beyond the market metrics, the cultural weight of Hula Moons is substantial. The book is described as a "classic Hawaiian history work," indicating its role in documenting the islands. Blanding's "pleasant silhouette-style drawings" and the "color frontispiece" suggest an artistic approach to documenting the culture. The book is not just a travelogue; it is a visual and textual record of Hawaii in 1930.
The reference material repeatedly calls Blanding the "most well-known author" of Hawaii at that time. This status implies that Hula Moons was the definitive guide for understanding the region's culture, landscapes, and people during the early era of tourism. The inclusion of "many of Blandings' pleasant silhouette-style drawings" points to a unique artistic contribution, blending literature with visual art. This combination of text and art makes the book a unique artifact of the period, capturing the aesthetic sensibilities of the 1930s.
The personal nature of the inscriptions, such as "To Joe" or the note on the back of the flyer, adds a human element. These dedications transform the book from a mass-produced object into a personalized gift, preserving a moment of connection between the author and the recipient. This human element is what elevates the book from a mere commodity to a piece of literary history.
Collecting Strategies and Authenticity
For those interested in acquiring a signed Hula Moons, understanding the nuances of authenticity is critical. The presence of a signature is the primary marker of value, but verifying its authenticity is essential. The reference data notes that signatures are often found on the book itself or on a separate note. The "hand-written note included (written on back of author excerpt flyer, also signed)" is a specific detail that helps verify the provenance of the signature.
Collectors should look for specific physical attributes to verify authenticity. The blue cloth with silver letting and the "small qto" size are consistent markers of the original publication. The presence of a dust jacket is a strong indicator of a high-value copy, as it protects the book and often contains original artwork. The "grey pictorial endpapers" and "color frontispiece" are also key identifiers of the genuine 1930 first edition.
The market for these books is active, with sellers offering various conditions and prices. The diversity of sellers across the US suggests a healthy secondary market. However, buyers must be vigilant regarding condition. "Light spotting" and "shelf wear" are expected in books of this age, but excessive damage can significantly reduce value. The "Acceptable" condition listing at $149.99 represents a lower-end option, while the "Near Fine" with jacket represents the premium tier.
The Role of Publishers and Distributors
Dodd, Mead & Company, the publisher, played a crucial role in the dissemination of Hula Moons. As a New York-based publisher, Dodd, Mead was a significant force in American literature during the 1930s. The fact that the book was published in New York but deals with Hawaiian subjects highlights the trans-Pacific literary connections of the era. The "First Edition, Seventh Printing (Jan 1938)" indicates that Dodd, Mead continued to reissue the book for nearly a decade, maintaining its presence in the market.
The distribution of the book was facilitated by the publisher's network, reaching readers across the US. The survival of copies in various conditions—ranging from "Very Good" to "Near Fine"—demonstrates the durability of the original binding and paper. The "blue cloth stamped in silver" binding has proven resilient, though the "rubbing at corners" shows the wear and tear of time. The publisher's commitment to reprints suggests that Hula Moons maintained a level of popularity that justified multiple printings.
The Future of the Collection
The enduring appeal of Hula Moons lies in its dual nature as a literary work and a historical document. As long as collectors value the history of Hawaii and the works of Don Blanding, these signed editions will remain in demand. The market dynamics suggest that well-preserved, signed first editions will continue to appreciate in value, especially those with dust jackets and pristine signatures.
The preservation of these books is essential for future generations. The "light spotting" and "shelf wear" are natural consequences of age, but proper storage can mitigate further damage. Collectors and institutions that acquire these books play a vital role in preserving the cultural memory of 1930s Hawaii. The "classic Hawaiian history work" designation ensures that Hula Moons will remain a reference point for understanding the era.
In conclusion, the signed first edition of Hula Moons by Don Blanding is more than a book; it is a tangible link to a specific moment in time. The combination of the author's signature, the unique physical attributes, and the historical significance of the content makes it a prized possession for collectors. The market reflects this value, with prices varying based on condition and edition. The legacy of Blanding and his work continues to be celebrated through these surviving artifacts.
Conclusion
The signed editions of Hula Moons represent a confluence of literary art, historical documentation, and personal connection. The 1930 first edition, published by Dodd, Mead, stands as a testament to the cultural vibrancy of Hawaii in the early twentieth century. The presence of Blanding's signature, whether on the book or a separate note, imbues the object with a unique authenticity that elevates it above standard copies.
The market for these books is active and diverse, with prices reflecting the condition, edition, and presence of a dust jacket. From the "Near Fine" copy with a jacket commanding nearly $275 to the "Acceptable" second printing at $149.99, the value spectrum is broad. The "small qto" size, blue cloth binding, and silhouette-style drawings are defining physical traits that aid in identification and authentication.
Ultimately, the significance of Hula Moons lies in its ability to transport the reader to 1930s Hawaii. The book serves as a historical record, capturing the spirit of the islands through Blanding's evocative prose and art. For collectors, a signed copy is not just an investment, but a piece of history, preserving the voice of the "most well-known author" of the islands. The enduring appeal of these signed editions ensures that Blanding's legacy will continue to be cherished by enthusiasts of literature and history.
Sources
- Signed! Hula Moons by Don Blanding (1931, Dodd, Mead)
- Signed! Hula Moons by Don Blanding (1949, Dodd, Mead)
- Don Blanding SIGNED 4 Hawaiian books Hula Moons, Drifter's Gold, Vagabond, Pilot
- Golden Hour Books - Hula Moons
- Hula Moons - AbeBooks (First Edition, Seventh Printing)
- Book Search: Hula Moons - Don Blanding (First Edition)